Thundercracker wrote:
Watched the first four episodes for tonight and they are friggin fantastic! Totally enriched the whole Clone/Order 66 conspiracy. Poor Fives, I really felt for him and the clones as a whole.
I’ve been expecting Fives to die ever since I found out he was a member of “Domino” squad. GL isn’t subtle with his symbolism sometimes. As expected, all five members “fell” by the end of the series.
It seems that Fives' death is a stand-in for the tragic fate of all clones. Despite their honor and nobility, there’s no hope for them. They’re tools for murder in a cause that's lost by design.
I suppose that Rex has a chance. Since he’s known Fives personally for a while, I doubt he will buy the establishment’s convenient parasite explanation.
At the start, who would have thought both Rex and Ahsoka would survive the series’ run? I know I didn’t.
VT-16 wrote:
The Yoda arc was great and very somber way of ending the show.
Although I dislike the notion that only light siders can retain their identity after death (a Lucas idea), there's some evidence in the last episode to support the earlier EU appearances of Sith ghosts. Otherwise, how would Sidious know Yoda was on Korriban/Moraband? He doesn't have the connection to him like Dooku does…
Yoda receiving a premonition of his last worldly moments is sad yet appropriate. After all, the show’s staff knew this was the end run as they finished this episode.
Sidious’ knowledge is sort-of like the cave on Dagobah. The Priestess explains that the temple on Morband is one of those weird places in the galaxy where normal rules don’t apply.
Concerning ghosts: The Sith are materialists. To them, all the good stuff happens when you have a corporeal existence. In turn, they probably aren't interested in playing around in the Living Force as ethereal sprites.
CoGro wrote:
I don't blame Filoni, but the Clovis arc illustrates why Padme might be the worst character in Star Wars. She doesn't even work well as a damsel in distress. To my point, the Jar Jar mission was more entertaining.
Compared to other episodes, it didn’t seem as if Padme was the focus of the danger. So, I don’t think the “damsel in distress” analogy works with this story.
Padme has both a conflicted and adaptable personality, which makes her hard to follow at times. When she’s introduced in TPM, she goes from being a pacifist to woman of action out of necessity. In ATOC, she tries to be rationalist with Anakin, but ultimately caves to her feelings. In this arc, I though the battle between her head and heart was portrayed in a sympathetic manner. It reminded me of the “Shadow Warrior” episode. In that story, she had the choice of trading Anakin for Grievous. Rationally, it’s a fair trade. However, she goes with her heart instead. Prior to that point, I didn’t think that her idolism was limited. It seems I was wrong.
IGN had
a recent article about the benefit of the show to the ancillary characters. To me, Padme, Obi-wan, and Anakin have been aided the most by this series. In ways I didn’t expected, their personalities and storylines have been stretched and deepened.
With the lost missions, Dooku and Sidious were finally shown in their full scary-smart glory. (This is a nice follow-up from the proto-imperialism of The Wrong Jedi and a perfect lead-in to ROTS.)
Regarding the Lost One’s episodes: they were surprisingly entertaining. The art design and set pieces were wonderfully “out there.” At times, it feels like more thought and creativity goes into one second of this show’s screen time then some entire movies.
Alexrd wrote:
Quote:
At the start of story development, the Sith world was called Korriban, but George Lucas preferred to change its name to Moraband. A world so ancient could have been known by different names in different eras.
Told you so.

My bad. I could have sworn it was the Mouse.
Does anyone have a favorite scene from these 13 episodes? Mine is the courtyard gathering with Jedi Dooku, Qui-gon, and the others. I thought it was a nice surprise.
I’ve seen others mention the use of Yoda’s theme on Dagobah as a highlight. For whatever reason, the quote of Qui-gon’s theme affected me more.
With The Unknown, I’m not sure why Kiner employed
Vampire Hunters from Bram Stoker’s Dracula. It’s the second time he’s used this piece on the series. He must be really fond of it.